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Born 1975, Resides in Queensland
EDUCATION
2008 Research
Masters Degree in Fine Art , Queensland College of Art, Griffith
University
1995 Bachelor of
Visual Arts in Fine Art, Queensland College of Art, Griffith
University
SELECTED SOLO EXHIBITIONS
2008 The Sting, Schubert Contemporary,
Queensland
2008 The
Pretender, Helen Gory Galerie, Melbourne
2007 Piggy in the
Middle, Richard Martin Art, Woollahra, NSW
2007 The Penny
Drops, Schubert contemporary, Queensland
2006 I WANT,
Helen Gory Galerie, Melbourne
2006 10 Palominos,
Philip Neville Gallery, Darwin
2005 I Miss You
Most of All, Helen Gory Galerie, Melbourne
2005 Bathroom
Paintings, Art Galleries Schubert, Queensland
2005 Stripped,
Richard Martin Art, Woollahra, NSW
2004 Something to
Smile About, Helen Gory Galerie, Melbourne
2004 Be Gentle,
Philip Neville Gallery, Darwin
2004 Glamourama,
Art Galleries Schubert, Queensland
SELECTED GROUP EXHIBITIONS
2008 Metro 5 Art
Prize, Metro 5 Gallery, VIC
2007 Archibald
Portrait Prize, Art Gallery of NSW
2006 Extinction
Denied, Arthouse Hotel, Sydney
2006 Redlands Art
Prize, Redland City Art Gallery, QLD
2005 Extinction
Denied, Arthouse Hotel, Sydney
2005 Luminous Two,
Helen Gory Galerie, Melbourne
2004 Mosman Art
Prize, Mosman Art Gallery, NSW
2004 Extinction
Denied, Arthouse Hotel, Sydney
2004 Genesis V,
Bond University Art Gallery, QLD
2003 Art for AIDs,
Mac Aids Fund, Sydney
2003 Young
Millenials, Art Galleries Schubert, QLD
2003 Extinction
Denied, Arthouse Hotel, Sydney
2003 White Lies
Beneath, Helen Gory Galerie, Melbourne
BIBLIOGRAPHY
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2007 |
Harper’s
Bazaar, Project Pink, appraised by Tim Olsen, p 230 |
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Harper’s Bazaar, September,
Bazaar Insider, by Margaret Merten, p 168 |
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The Sydney
Morning Herald, ‘Hippie child who longs for normality’,
by Louise Schwartzkoff,
August 20, p15 |
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The Age, ‘Toni Collette’s brush with the bizarre’,
by Robert Nelson, June 2 |
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The Weekend Australian magazine, profile by Anne
Lim, Aug 25-26, p 9 |
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The Weekend Australian, ‘Famous faces, Black Sheep,’
by Sebastian Smee, Feb 24, p 21 |
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The Weekend Australian, ‘Once again, judges leave a
yawning gap’, by S.Smee March 3, p 3 |
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2006 |
Australian Vogue, October, ‘Framed’, p 114 |
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Australian
Vogue, January, 'Hunters and Collectors', Top Five
Collectable Artists
by Hannah Rand, p
102 |
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Harper’s Bazaar, February,‘Old Masters,
the New Mistresses?’, by Emma Sloley, p 69
|
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Australian Vogue, October, Scene ‘What’s on
and where’, by Claire Barker, p 114 |
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2005 |
The AGE, ‘The art of being a real woman’ by
Rachel Wells, Feb 16, p 6 |
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The Sunday AGE, review by Ashley Crawford, Feb 13, p
34 |
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Black and White, February/March 05, p10 |
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The Courier Mail, ‘Curious beauty is revealed’,
by Heidi Maier, 7 September 2005 p19 |
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2004 |
Frankie, Issue 1, Sept/Oct 2004 |
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The Courier Mail,
'Dark side of women', 8 April 2004 |
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Oyster,
Issue 50, February/March 04, p 28 |
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Yen, ‘White Trash City’ by Danielle
Cotter, Issue 9 February/March, p 40 |
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Harpers Bazaar, March 2004, p. 212 |
ART AWARDS AND PRIZES
2008 Finalist, Metro
5 Art Prize, Metro 5 Gallery, VIC
2007 Shortlisted,
Archibald Portrait Prize, Art Gallery of NSW
2006 Second Prize,
Redlands Art Prize, Redland Art Gallery QLD |
